ccmusic-database/Guzheng_Tech99

Intro

For the 99 recordings, silence is first removed, which is done based on the annotation, targeting the parts where there is no technique annotation. Then all recordings are uniformly segmented into fixed-length segments of 3 seconds. After segmentation, clips shorter than 3 seconds are zero padded. This padding approach, unlike circular padding, is adopted specifically for frame-level detection tasks to prevent the introduction of extraneous information. Regarding the dataset split, since the dataset consists of 99 recordings, we split it at the recording level. The data is partitioned into training, validation, and testing subsets in a 79:10:10 ratio, roughly 8:1:1.

Demo (inference code)

<https://huggingface.co/spaces/ccmusic-database/Guzheng_Tech99>

Usage

from huggingface_hub import snapshot_download

model_dir = snapshot_download(
    "ccmusic-database/Guzheng_Tech99",
    cache_dir="./__pycache__",
)
print(model_dir)

Maintenance

GIT_LFS_SKIP_SMUDGE=1 git clone git@hf.co:ccmusic-database/Guzheng_Tech99
cd Guzheng_Tech99

Results

Dataset

<https://huggingface.co/datasets/ccmusic-database/Guzheng_Tech99>

Mirror

<https://www.modelscope.cn/models/ccmusic-database/Guzheng_Tech99>

Evaluation

<https://github.com/monetjoe/ccmusic_eval/tree/tech99>

Cite

@article{Zhou-2025,
  author  = {Monan Zhou and Shenyang Xu and Zhaorui Liu and Zhaowen Wang and Feng Yu and Wei Li and Baoqiang Han},
  title   = {CCMusic: An Open and Diverse Database for Chinese Music Information Retrieval Research},
  journal = {Transactions of the International Society for Music Information Retrieval},
  volume  = {8},
  number  = {1},
  pages   = {22--38},
  month   = {Mar},
  year    = {2025},
  url     = {https://doi.org/10.5334/tismir.194},
  doi     = {10.5334/tismir.194}
}